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Soft Cell's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell with Marc Almond at Leeds during 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the duo achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is regarded as a classic of synth-pop.

He later formed the innovative electronic act The Grid, who secured chart success with their 1994 single Swamp Thing.

Ball passed away calmly in his rest at his residence in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball appeared in a wheelchair, as he had for the last two years, after a spate of health issues.

"I managed to injure myself significantly," he commented in 2023. "I fractured lower vertebrae in my spine and cracked about multiple ribs and fractured my wrist."

After catching a lung infection and suffering from blood poisoning, he was placed in an induced coma and remained in hospital for half a year.

However, he had been in "a great place mentally" over the warmer months, as he worked on a new album with Almond, titled the upcoming Danceteria, which is scheduled for release next year.

"He was concentrated and very pleased with the new album that we literally finished only a short time ago," stated the vocalist in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense part of my life and for the songs you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is different from being in a band, the bond is very tight," he continued.
"That's how it was with us. We went through so many remarkable, incredible, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Born into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months of age.

He grew up in the seaside town with his new family his caregivers, who changed his first name from his birth name to his adopted name, together with his sibling his sister, who was also adopted.

He met Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Inspired by a mutual passion of Northern Soul, they established Soft Cell the very year, and quickly produced an EP.

Creative Collaboration

The duo were an distinctive pairing: Ball was the reserved musician, hunched over his keyboard, while Almond was a flamboyant showman, all glitter and eye-liner; but they attained a rare creative synergy.

Ball had developed a fascination with electronic instruments after watching the band Kraftwerk perform on BBC science show a popular series, and began to marry moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second biggest-selling single of 1981, selling millions of copies worldwide. Together with successful tracks by Gary Numan, contemporary bands and Ultravox, it contributed to paved the way for the synth-pop sound of the 80s.

The song was also featured on their full-length debut, their initial LP, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were developing new material until just before Ball's passing

Career Highlights

Success had its upsides. "I enjoyed being able to purchase my initial property, having financial security and exploring, which might seem like a beauty queen," Ball not long ago shared with a publication.

But it also presented problems. "Sudden riches allowed we could purchase newfound drugs to relieve the monotony" of media interviews and TV performances, Ball explained.

"I realize that's a common saying, but it's a cliché for a valid cause, because it works for so many musicians."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they managed to produce a second classic album - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before ending the band to focus on other projects.

Almond went on to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with ambient pop over a enduring collaboration.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, producing the charting album Cruelty Without Beauty.

After another break, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the large venue on September 30, that year.

Yet, they stayed together, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the band's new album as a tribute to the NYC nightlife they frequented while recording their initial records.

He added that his period in hospital had influenced the band's sound.

"I had strange recollections when I was coming and going of the hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a electronic representation of the noises in my head from those days.
"In parallel, it's about the experiences me and Marc got up to in the 1980s."

The final mixes were finished only days before Ball passed away. It is scheduled for release in the spring of 2026.

About the author

Shawn Ruiz

A seasoned travel writer and luxury lifestyle expert with over a decade of experience exploring exclusive destinations worldwide.

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